Mbuso
Mtsweni

BArch (Hons)
Unit 8

The Deity of the Water:

Designing a consecrated space that allows the people of KwaNdebele to engage with the body of water

Introduction:

  • Childhood Adventures and Spiritual Encounters
  • As a child, I embarked on adventures exploring nature with friends, often encountering mysterious and sometimes dangerous environments, believed to be inhabited by spiritual beings.
  • An incident in 2004 near the Klipspruit in Vlaklaagte, my hometown, revealed the tragic history of a nearby water body.
  • Cultural Significance of Water in Ndebele Culture
  • As a Ndebele, my culture involves traditional ceremonies and rituals conducted at bodies of water for various purposes, including initiation and transition into adulthood.
  • In 2004, a sacred “iqude” ceremony near the Klipspruit took a tragic turn when a flash flood, known as “uNomlambo,” claimed the lives of five young women.

Historical Background:

  • Vlaklaagte-Een: A Brief History
  • Vlaklaagte-Een, situated in Mpumalanga, was originally a farmland that underwent transformation into a suburban area in the 1970s, adjacent to the Klipspruit.
  • The Klipspruit was converted into a dam between 1979 and 1985 to supply water to Vlaklaagte and nearby farms, a process marred by scandals and tragic incidents.
  • Community Insights
  • An interview with a community member, Nombuzini, revealed local beliefs in a mysterious water creature inhabiting the dam, leading to fear and caution.
  • She recounted stories of relatives and community members losing their lives and witnessing the mutilation of their catches while fishing.

Translating the Project into Architecture:

  • The Design Concept
  • My project emerges from mythologies, personal experiences, and my connection to water bodies, aiming to alleviate fear and inspire reverence for nature.
  • The design is inspired by the concept of a serpent snake governing water bodies and is a consecrated space for the people of KwaNdebele to engage, perform rituals, and develop a harmonious relationship with the water body in Vlaklaagte-Een.
  • Long-term Goals
  • The project’s long-term objective is to preserve indigenous African stories by designing spaces that archive our knowledge about the universe and our place within it.
  • A unique feature of the design is the use of pathways to mimic the movements of a serpent snake, signifying its active times.
  • Concept: Storytelling, Performance, and Grounding
  • The project proposes a gateway into water bodies revered by believers in the serpent snake uNomlambo, offering a sacred space for quests to connect with nature and learn the importance of indigenous stories.

In conclusion, “The Deity of the Water” project is not just an architectural endeavor but a cultural and spiritual revival, bridging the gap between myth and modernity. It represents an opportunity to honor and preserve our cultural heritage and foster a respectful and symbiotic relationship between the people of KwaNdebele and the sacred waters of Vlaklaagte-Een. Thank you for your attention.